Übersetzung und Analyse von Wörtern durch künstliche Intelligenz ChatGPT
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it was way back in 1890 - Übersetzung nach Englisch
!["Sand" is a cover of the 1993 song by [[Eric's Trip]] (pictured).](https://commons.wikimedia.org/wiki/Special:FilePath/Eric'striplive (1).jpg?width=200 "\"Sand\" is a cover of the 1993 song by [[Eric's Trip]] (pictured).")
![Elverum frequently visited the ocean in [[Westport, Washington]] (pictured) while recording the album.](https://commons.wikimedia.org/wiki/Special:FilePath/Westport, WA - weather station and fishing boat 'Patriot'.jpg?width=200 "Elverum frequently visited the ocean in [[Westport, Washington]] (pictured) while recording the album.")
![Elverum's lyrics were inspired by [[Will Oldham]] (pictured).](https://commons.wikimedia.org/wiki/Special:FilePath/Will Oldham 2017.jpg?width=200 "Elverum's lyrics were inspired by [[Will Oldham]] (pictured).")
Definition
Wikipedia
It Was Hot, We Stayed in the Water, sometimes shortened to It Was Hot, is the second studio album by American indie folk and indie rock band the Microphones. It was released by K Records on September 26, 2000. After Phil Elverum—the frontman, principal songwriter, and producer of the Microphones's albums—had gained a small following with 1999's Don't Wake Me Up, he recorded It Was Hot in Dub Narcotic Studio in Olympia, Washington, between September 1999 and March 2000. The album was recorded on analogue tape; Elverum embraced the medium's technical imperfections. The album was described as indie rock, lo-fi, and indie pop and was inspired by Elverum's visits to the ocean. As a whole, the album centers on the theme of water, while its lyricism is heavily themed on nature. The 11-minute track "The Glow" acts as the album's climax and introduces the concept of the "glow", which was explored in more depth on 2001's The Glow Pt. 2.
It Was Hot received positive reviews from Pitchfork, AllMusic, and NME. Pitchfork listed the album at number seven in their "Top 20 Albums of 2000". The album received more reviews following its 2013 reissue, including positive reviews from PopMatters, Consequence of Sound, and Treblezine. The album is frequently compared to, and commonly said to be overshadowed by, The Glow Pt. 2.
